Beings Of Light
The Amazing true Story of Dorothy Wilkinson-Izatt
Contact with Beings of Light is truly an amazing tale of Dorothy Wilkinson-Izatt. Using an ordinary 8 mm movie camera, she has filmed hundreds of sequences of unexplained, yet authenticated, pictures of UFOs, ETs, and anomalies. Dorothy Izatt is without peer anywhere on record in the world, even when compared to today’s tabloid media with its endless loops of bizarre video footage from various places and people.
Aside from the fact that electronically simulated video images aren’t as yielding to analysis as the images in film photography, the obvious difference is that the footage derives from multiple sources. With Dorothy, we have a credible, trustworthy, prolific source in one location – or in any location anywhere she chooses – willing to demonstrate the process for an observer.
The author, Peter Guttilla, has spent years sifting through photographs, movies, and taped interviews with Dorothy to produce an exceptional glimpse into her life’s work.
Excerpts
“Dorothy aimed her 8 mm camera at the night sky—just as she had countless times before—without expecting anything unusual. But when the film was developed, what appeared shocked even the most seasoned researchers: intricate patterns of light, structured craft, and what looked like figures composed entirely of radiant energy. This was no trick of the lens. It was the beginning of a documented communication with something beyond our understanding. And this, Dorothy would tell me, was only the beginning.”
“In a field riddled with hoaxes and half-truths, Dorothy Wilkinson-Izatt stood out like a beacon. No sensationalism. No desire for fame. Just a quiet Canadian woman with a handheld camera and an extraordinary ability to film what others could not see. Unlike the grainy, erratic footage that floods our screens today, her images were consistent, controlled, and verifiable. When I met her, I wasn’t prepared for the clarity—not just of her film, but of her conviction.”
“After reviewing hundreds of reels and sitting through dozens of hours of interview tapes, one thing became clear: Dorothy was not just documenting anomalies—she was part of an ongoing, intelligent exchange. Beings of light, as she called them, responded to her focus, her presence. She filmed them in different locations, under various conditions, always with the same inexplicable results. This was no coincidence. It was contact, and it was real.”